Skip to main content

He Chose This Track by Emma Lee

He was the physics graduate
who couldn’t operate a washing machine.
The grade eight pianist whose fingers
shook too much to caress the keys.
The man who’d argue addiction wasn’t his fault
and, in the next breath, deny he drank.
He wanted the band to make it so he could
be managed, but skipped rehearsals,
wrote clichés and watched his history.
He said his biggest achievement was marriage,
but chose not to see he was killing the thing he loved,
the thing who refused to enable him,
the thing he undermined by turning to family
who would pay for him not to return to them.
His tragedy was that he chose not to see the band
imploding, chose not to see unreasonable behaviour
on divorce papers, didn’t see connections,
chose to press self-destruct.

---

Emma Lee’s recent collection is “Ghosts in the Desert” (IDP, UK 2015). “The Significance of a Dress” is forthcoming from Arachne (UK). She co-edited “Over Land, Over Sea,” (Five Leaves, UK, 2015), reviews for The Blue Nib, High Window Journal, The Journal, London Grip, Sabotage Reviews and blogs at http://emmalee1.wordpress.com.

Comments

Post a Comment

Popular posts from this blog

Home by Jessa Forest

Home scratches at her shingles with tree branch fingers, pulls the air conditioning unit close to her grimy aluminum siding, and keens an empty song of mourning. We found her wandering the tornado snarled wild three months ago, starved and lonely. She doesn’t know how to take care of herself, you see? We fed her shards of dining room tables, kindling for the fireplace, and cast iron bathtubs clawed feet first. She was slow to recover so we gutted her plumbing, ripped out her nerves, and rewired the electricity. She let the water in every time it rained so we put a new roof on her and let her out for regular walks around the wolf pen. Let her mingle with the vultures, I said, let her feel useful and clean up the dead but no one wanted to listen. We found rot an mold in her corners, infused her insulation with antibiotics, and quarantined her for two weeks while she belched ladderback chairs, sofa cushions, wind chimes, and broken bookcases. She still has her bad days. After feeding time

“Are You So Tired Then, Stranger?” by Ace Boggess

  —Dick Allen, “B&B”    Wind exhausts with its icy fists. Knives of rain wear me down, & leaves in their helicopter swirls like leaflets dropped from a plane. October depletes me, & November. They’ve too much busyness. They send me spinning, dancing, lonely with the rake, the broom. I surrender, collapsing like an old barn, debris of me piling in a chair with clear view of the television.  News is on. It spends me. Talk of politics, also. I’d like  to shut up the voices that fatigue. They hum like a B-flat in the pipes. They bicker & scold, condemn. They expend me like carrying  groceries up a flight of stairs  until I’m too drained to care  which side they’re on. --- Ace Boggess is author of six books of poetry, including  Escape Envy  (Brick Road Poetry Press, 2021),  I Have Lost the Art of Dreaming It So , and  The Prisoners . His writing has appeared in  Michigan Quarterly Review, Notre Dame Review, Harvard Review, Mid-American Review,  and other journals. An ex-c

Examples Of Resilience by Jen Feroze

Look to the city’s forests. Those monoliths and museums, cathedrals and palaces  and theatres whose stories have sunk deep under the pavements, have rooted themselves in the silt at the bottom of the river. Think of the architects spreading sketches across tired wood, holding up samples of mosaic tile, wondering what sort of mark they’ll leave. Think of the tongues of flame, the sirens, the silence before the shells fall. Think of the thousands and thousands of feet that have walked here. The myriad secrets whispered across the vast blue dome, where the apostles keep them safe. Think of the nightingale you heard here that night in November, wrapping its song around St Paul’s in ribbons of winter.  Tiny in the face  of all that history.  Dauntless, nonetheless. --- Jen Feroze lives by the sea in Essex with her husband and two small sleep thieves. Her work has recently appeared in Atrium, Ink Sweat & Tears, Ekphrastic Review and The Madrigal, among others. Her first collection, The C