Skip to main content

Dust by Chris Hemingway


Hold that thought.
Hope it relaxes.
Let it know every notion
has a place.
That sometimes polished thoughts
are the ones you should trust least.
That truths lurk on broken shelves
in run down holiday homes.

Park that thought.
But do it unaided.
Let it rest without uniform
or privileged space.
The best letters look the same
in rear-view mirrors.
Short words fill gaps
on scrabble boards, in silences.

Hold that thought.
Like it’s on the verge of falling.
Let it know every surface
tells a story.

---

Chris Hemingway is a poet and songwriter from Cheltenham.  His first pamphlet “Party in the Diaryhouse” was published by Picaroon Poetry in 2018, and he has previously self-published two collections, “The Future” and “Cigarettes and Daffodils”.

He helps run Gloucestershire Writers Network, Cheltenham Poetry Festival and the “Squiffy Gnu” poetry prompt blog.  You can find out more about Chris by visiting his personal website just here.

Comments

Popular posts from this blog

Home by Jessa Forest

Home scratches at her shingles with tree branch fingers, pulls the air conditioning unit close to her grimy aluminum siding, and keens an empty song of mourning. We found her wandering the tornado snarled wild three months ago, starved and lonely. She doesn’t know how to take care of herself, you see? We fed her shards of dining room tables, kindling for the fireplace, and cast iron bathtubs clawed feet first. She was slow to recover so we gutted her plumbing, ripped out her nerves, and rewired the electricity. She let the water in every time it rained so we put a new roof on her and let her out for regular walks around the wolf pen. Let her mingle with the vultures, I said, let her feel useful and clean up the dead but no one wanted to listen. We found rot an mold in her corners, infused her insulation with antibiotics, and quarantined her for two weeks while she belched ladderback chairs, sofa cushions, wind chimes, and broken bookcases. She still has her bad days. After feeding time

“Are You So Tired Then, Stranger?” by Ace Boggess

  —Dick Allen, “B&B”    Wind exhausts with its icy fists. Knives of rain wear me down, & leaves in their helicopter swirls like leaflets dropped from a plane. October depletes me, & November. They’ve too much busyness. They send me spinning, dancing, lonely with the rake, the broom. I surrender, collapsing like an old barn, debris of me piling in a chair with clear view of the television.  News is on. It spends me. Talk of politics, also. I’d like  to shut up the voices that fatigue. They hum like a B-flat in the pipes. They bicker & scold, condemn. They expend me like carrying  groceries up a flight of stairs  until I’m too drained to care  which side they’re on. --- Ace Boggess is author of six books of poetry, including  Escape Envy  (Brick Road Poetry Press, 2021),  I Have Lost the Art of Dreaming It So , and  The Prisoners . His writing has appeared in  Michigan Quarterly Review, Notre Dame Review, Harvard Review, Mid-American Review,  and other journals. An ex-c

Examples Of Resilience by Jen Feroze

Look to the city’s forests. Those monoliths and museums, cathedrals and palaces  and theatres whose stories have sunk deep under the pavements, have rooted themselves in the silt at the bottom of the river. Think of the architects spreading sketches across tired wood, holding up samples of mosaic tile, wondering what sort of mark they’ll leave. Think of the tongues of flame, the sirens, the silence before the shells fall. Think of the thousands and thousands of feet that have walked here. The myriad secrets whispered across the vast blue dome, where the apostles keep them safe. Think of the nightingale you heard here that night in November, wrapping its song around St Paul’s in ribbons of winter.  Tiny in the face  of all that history.  Dauntless, nonetheless. --- Jen Feroze lives by the sea in Essex with her husband and two small sleep thieves. Her work has recently appeared in Atrium, Ink Sweat & Tears, Ekphrastic Review and The Madrigal, among others. Her first collection, The C